• All prints come signed, numbered and embossed along with a certificate of authenticity.
• Prints are shipped in a robust cardboard tube via Royal Mail Recorded Delivery
• Please DO NOT enter your own quantity on the paypal page. We only have available what is indicated below!

Danny Sangra

Central St Martins graduate Danny first came to our and most of Londons attention a few years ago when it seemed his murals were in shops everywhere, most of this early work has long since gone but for those interested there is still a piece up at the M Store on Dray Walk near Brick Lane.

It was around this time that he began working with Scrawl Collective and has since become one of our busiest artists. His early figurative stuff soon gave way to more abstract ideas and it is still this combination of organic "growths" and geometric patterns that is most recognisable to people as Danny Sangra. His love of doing large scale mural commissions and the fact that he uses spray paint has led Danny to be wrongly associated with the graffiti scene with which he has only very tenuous links. His background and interests lie in other directions.

The work closest to his heart is in fashion, as is evident in his own brand concept "A Minutes Silence" his Mask collaborations with the shoe company Double Identity and his most recent coup, collaborating with Katie Hillier on print designs for Marc by Marc Jacobs. If all that wasn't enough he is also a brilliant graphic designer, check out his record sleeve work for Frankie Valentine.

David Walker

David is best known for the acclaimed clothing label Subsurface of which he was the chief designer and owner up until 2004 when he finally called it a day and decided to move on to pastures new. His work is a hybrid of graphics and illustration and has recently returned to pencil drawing and cut 'n' paste for inspiration.

Since joining Scrawl Collective he has taken part in a number of our group projects and held his own solo shows where he has sold an impressive number of one off prints and started to bring a more focused aesthetic to his work. This is evident in his new t-shirt label which will be dropping soon. Amongst others David has created work for seminal Manchester clothing label Gio Goi, The Prodigy, Maharishi, Supremebeing and Firetrap. He continues to work on his own projects and has recently exhibited alongside punk graphics legend Jamie Reid at the Camden Roundhouse.

Hampus Ericstam

Born and raised in Stockholm, Hampus has lived everywhere from London to Ibiza. His newest work include illustrations for the Virgin Mobile, Nieman Marcus, Levis and the New Yorker. He went through design school and Sweden's Royal School of Art, developing a style rooted in early '90's De La Soul but with hint of '50s super-clean Swiss graphics.

Hampus will do anything if it looks good and work for anyone if it feels good. He'll work with just two colours or a full kaleidoscope. He'll work in advertising, editorial, exhibitions or wherever. He believes composition is everything. Possibly. Actually, he doesn't really know what he's doing, but what he's doing looks good and that's what matters. His clients seem convinced - they include H&M, Sony Ericsson, BMG USA, Levis and Justin Timberlake.

Mr Jago

Mr Jago, (plain Mr to his freinds) is one of the Scrawl Collective founder members and as such is central to the way the agency developed in it's infancy. Not a graffiti artist as such he took the influence of graffiti and ran with it in a completely different direction to everyone else at the time.

Growing up in a small village offered little opportunity for bombing the streets and this led him to draw furiously in countless sketchbooks never knowing at the time where all this activity might lead him. After meeting Will and Steff while studying graphic design in Bristol his path seemed clear and he was soon working regularly for Bristol's ever burgeoning recording and club promoting entrepreneurs. He can truly be described along with Will Barras and Steff as a pioneer of the doodle school that seems to be everywhere these days and is now like graffiti before it an accepted part of our wider visual language. He is as a result, and deservedly so, world famous among his contemporaries in the urban art world and he has earned the right to be talked about in the same breath as some of his own heroes. Most recently he has collaborated on a toy with Addict Clothing and as well as being a regular in their artists t-shirt series he has designed the camo pattern for their latest fabric.

Nick Purser

Nick's always combined a love of doodling, drawing and painting with a commercial head. As a kid he charged a fiver a portrait for grown-ups he knew. His early passion was for rennaisance artists like Michelangelo and Botticelli. Then he discovered house music and like so many from the acid house generation a new passion to fuel his imagination.

He designed club flyers for friends and his influences became artists like Sydney Nolan and Kasimir Malevich. Eventually Nick joined Good Looking Records as their in-house designer and illustrator, and started painting scenes from raves. After that he headed a design team at a creative agency, working with many major music labels, and clients like Kiss 100, Breakbeat Kaos and Snowbombing.

Now the major influences on his work are music, snowboarding and anything that kick-starts the imagination. Now working freelance his first project with Scrawl Collective was last summers PSP/Cutout project in conjunction with Marmalade Magazine and Peter Saville.

Phlash

PhlAsh has a special place in Scrawl Collective's story. He was the first artist to join the collective who didn't come from an entirely graffiti or skate background and as such he widened the agencies horizons and was instrumental in the collectives moves away from a purely urban art environment.

Having left St Martins he combined a day job with creating canvasses and digital work inspired by his youthful obsessions with Star Wars, Judge Dredd and especially that period of British science fiction TV where the scenery wobbled...Tom Baker-era Dr Who, Blakes 7 and Space 1999. He paints weird post apocalyptic "toxic landscapes" and populates them with strange creatures looming out of the gloom. Anyone familiar with Scrawl Collective will be familiar with his Yeti series of paintings and digital works which have become by sheer dint of popularity the Scrawl Collective's most iconic image and used in our business cards, tee shirts, letterheads and event posters.

Most recently he was commissioned by the BFI to design the film poster for the first cinematic release of the original Godzilla movie (available to buy from the BFI website) and he has been selected for Contemporary Art Society's ARTfutures in 2005 and 2007 at Bloomberg SPACE.

Sam Green

Sam is one of Scrawl Collectives newest and youngest artists. He graduated from Central St Martins last year and after a tip off from a reliable source (thanks Peter) the agency quickly snapped him up. The term raw talent could have been invented for Sam. Being so fresh from college most of Sam's work is self initiated rather than commissioned and his output has certainly benefited from being free of the constraints of a brief or a client.

During his first year with the collective he has been free to spread his wings and explore many different styles and working methods. This approach suits his natural disposition, he feels it's important not to fall in to complacency and he revels in challenging his own ideas in the spirit of continuous experimentation. His work can indeed be challenging, as his images exploring gollywog imagery are testament to but there is a sense of fun behind everything he does that always entertains.

Sam's images are weird and wonderful, filled with strange, dysfunctional characters and odd scenarios whose surface cuteness masks something surreal and sinister beneath. His own world entirely under his control. Expect to see alot more of this prodigious talent and purchase one of his prints now while you can still afford him.

Steff Plaetz

Steff Plaetz is along with Will Barras and Mr Jago one of the original 3 Scrawl Collective members. Like his friends his work is instantly recognisable and he can be counted as being among the very first generation to pioneer the idea of including very rough sketchbook drawing in finished pieces of art.

His pages in the first Scrawl book, published when he was virtually an unknown, to this day stand up to the work of some of the more illustrious names in that publication and like Mr Jago and Will he has earned the right to be talked about in the same breath as the artists who initially inspired him. Steff uses a combination of stencil and freehand painting to create his images, this makes it easy for him to accurately replicate his designs and at the same time keep them fresh with whatever colours, shapes and expressions of movement he favours at the time.

In Feb 2005 he took part in the final Salem Innovation Session a series of events/lectures/exhibitions organised by Filter Group in Hong Kong, Singapore and Japan. His popularity and position as a pioneering artist confirmed by the biggest turnout ever for one of these high profile events. He continued in 2005 to exhibit with his colleagues Will and Jago round Europe in Zurich for "Wordless" and Brussels at the Alice Gallery.

Anyone wanting to get a real idea of just how compelling Steff's art is should check out his mural in the bar SOSHO near Old St in London, which serves as a kind of semi-permanent exhibition.

Will Barras

Will Barras along with Mr Jago and Steff is one of the original Scrawl Collective members. He was already on the road to success with the now famous Hip Hop Don't Stop sleeves already under his belt when the collective first formed. Like his compadre Mr Jago, Will began his glittering career in a call centre. Doodling stopped him going insane, and he developed a fucked up way to hold a pencil and a distinctive illustrative style which to this day is like no one else on earth.

He is one of those artists that it is almost impossible to copy because, well everyone knows it as his style and his alone. Over the years, Will has developed from the hip hop and skater/bmx graphics which made his name into areas a great deal wilder and more unpredictable. This unwillingness to be pinned down has served him well and helped him free himself from the associations that once would have pigeonholed him all too neatly. He went through a rodeo period at one point furiously painting riders atop raging bulls this evolved into an interest in hunting scenes set against strangely coloured sunsets. Since then his work has become increasingly psychedelic and his murals, well, just strange.

You want proof? Look at his recent mural for The Peoples Republic bar in London or his sleeve art for The Warlocks. Of all the Scrawl Collective artists Will is probably the best known and the most sought after both for commercial and private commissions. He is also without doubt the hardest working, he divides himself between directing for the Animation Production Company Bermuda Shorts and a truly grueling exhibition and event schedule. God help him if they ever re-introduce the three day week.